pop culture is the final act of the 3, the album is me basically putting effort after realising how much enjoyment that gives me compared to creating slop. this text here is kind of place holder cause ill prolly rewrite it after i finish and release it,,, and rewrite it a couple more times after that.
ts whack af. the concept behind was to literally make a joke album. but i had to realise i didnt enjoy making a whole ass album of joke tracks so i put a couple alright tracks on it too, still memey but like i think if u listen to the album u can tell which tracks had like a drool of love put into them at least, even if theyre ass. part of the album was made pushing through a burnout, not a good idea. u make absolute ass while burnt out. despite saying all this, the album is actually an experience.
the first act to the the filth. the literal first tracks i ever made inside of a DAW, js experimenting around in it, no prior experience, tbh in my mind i kinda split the album into 3 parts. tracks 1-8 is part 1, i think these tracks are are totally fine, totally weird but thats what i was going for, totally satisfied with them for my ability of what i could do at the time couple of them are lowkey bangers. track 9 is the transition its literal only point was to ease the transition between the "2 main parts". tracks 10-17 are whatever i get why i put them at the end, there are couple listenable tracks but like they whack af tho.
excprot.._d is an ambient noise project which was released under the name ロボトミアマシナ. It was made in a couple hours from an old audio recording of mine of me creating a audio feedback loop with shitty cheap ass security camera.
It got stretched and distorted in audacity later i messed around a bit more with it using a DAW.
This is just me fucking around on a guitar (at the time of writing this 12/16/2025 i still wouldnt say that i can play the guitar so u can imagine that at the the time of me making this how bad i was) and its just that. me "playing" a guitar shittily.
weird little ambient Ep made in a day, that day i went to interspar to do shopping and there was this old woman who was prolly severly mentally ill shouting at security so i got out my the voice recorder on my phone and recorded it, that was the inspiration for the ep, i ended up sampling the woman shouting on the 3rd track.
GENUINELY TURN UR VOLUME DOWN like genuinely its loud on the lowest volumes possible, itll straight fuck whatever u listen to it on if u put it on even a moderately high volume.
noise album that i made way too fucking loud, if u wna download it, js do wave files, it genuinely gets fucked by compression otherwise. did i mention its fucking loud, TS INFRAREDLINING. but overall its a fun little project.
The concept behind it was that i made 4 ten minute tracks. It ended up as the experimental ambient/noise slop of all time. It pretty much makes sense that i made this between making shipwreck and attagirl, its like the perfect midway between those 2.
Basically my first attempt in making music. it is js an ambient project. theres not much to say about it.
Thisll be the final lobotomy machine release, making act 3 of the filth, i realised that making an album that i actually put effort in is fucking tough so thisll only be an EP. @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@